These days, you can buy an Adjaruli khachapuri anywhere from a pizza chain in Bueno Aires to a grocery store in Tokyo. In Tbilisi, you can get this usually cheese- and egg-filled bread topped with meat and beans, cucumber-tomato salad or wild mushroom stew — the Adjaruli khachapuri has been having a years-long moment. Because of its ubiquity, outside of Georgia the word “khachapuri” has come to mean Adjaruli khachapuri, and the other word is forgotten. But at what cost! Adjara is the subtropical autonomous republic of western Georgia bordering Turkey and the Black Sea, and its cuisine has more to offer than solely the iconic cheese bread.

Hidden between two well-trodden avenues – the busy Halaskargazi and the glitz and glam of Vali Konağı – Kuyumcu İrfan Sokak is a back street in the high-end neighborhood of Nişantaşı. Here, cozy little lokantalar (Turkish diners), tobacco shops and chic cafés dwell in the shadow of the ancient Greek and Armenian buildings that give this part of Nişantaşı an aura of timeless elegance. Adding to that atmosphere is the miniscule pizzeria Azzurro Neopolitano, which in the two years since it opened has managed to snag the attention of pizza aficionados – and Italians – all over Istanbul. A quiet man, co-owner Ünal Yıldız comes out of the kitchen, his hands still dusted with flour.

We recently spoke with travel writer Caroline Eden about her culinary travelogue, Black Sea: Dispatches and Recipes, Through Darkness and Light (Hardie Grant; May 2019). Eden has written for the Guardian, the Telegraph and the Financial Times, among other publications, and has filed stories from Uzbekistan, Ukraine, Russia, Kyrgyzstan, Kazakhstan and Azerbaijan for BBC Radio 4’s From Our Own Correspondent. Eden is also co-author of Samarkand: Recipes & Stories from Central Asia & the Caucasus (Kyle Books; July 2016), a Guardian book of the year in 2016 and winner of the Guild of Food Writers Award for best food and travel book in 2017.

We spoke to Joe Yonan, the James Beard Award-winning food and dining editor of The Washington Post, about his cookbook, Cool Beans: The Ultimate Guide to the World's Most Versatile Plant-Based Protein. And he provided us with a recipe for his garlicky great northern beans and broccoli rabe over toast. The humble bean plays a starring role in many of the culinary cultures we cover, as evidenced by our “Bean Week” series, which included dispatches from Catalonia, Beijing, Mexico, Greece and Istanbul. So we were delighted to talk to Joe about this delicious, versatile and environmentally friendly protein, one that has gained new prominence in the current pandemic.

Although it's a highlight of our local culinary wanderings, when seen within a map of New York City as a whole, Ridgewood is an unremarkable-looking neighborhood. It describes a downward-pointing triangle, bounded to the north and east by the Queens communities of Maspeth, Middle Village and Glendale. To the west it shares a long, irregular border with Brooklyn, mostly with the far-more-hip neighborhood of Bushwick. In the 19th century both Bushwick and Ridgewood offered gainful employment and more attractive housing to German-Americans living in the cramped Kleindeutschland of Manhattan's Lower East Side. Bushwick was developed first, and became home not only to residential properties but also to many breweries and factories.

When El Chato, considered to be Barcelona’s oldest Basque restaurant, opened in 1941 in El Fort Pienc, the neighborhood was a decidedly industrial one. In fact, the restaurant’s main clientele for decades were Basque truck drivers who were dropping off or picking up goods in the area. Much has changed since the 40s. El Fort Pienc is now home to office workers as well as families, lured to the area by its proximity to the center of town. Meanwhile, Basque cuisine has gone on to become one of the world’s most celebrated, its home region filled with numerous Michelin-starred restaurants.

It was Mardi Gras morning 2012, and my Hubig’s Pie was missing. On Lundi Gras (AKA “Fat Monday,” which has evolved to include traditions of its own), I had hidden it away – apple I believe, but I can’t quite recall – to serve as my breakfast before a full day of parading, revelry and maybe a little debauchery. For those not in the know, a Hubig’s is a deep-fried hand pie, with flavors like apple, lemon, peach and chocolate. They were sold by the Simon Hubig Pie Company, founded in Fort Worth in 1922 by an immigrant from the Basque region of Spain. The company then went on to open bakeries in several cities in the southeast, including New Orleans.

Mention “Les Baumettes” to a Marseillais and many immediately think of the prison that shares the name. Since the 1940s, this peripheral neighborhood has housed the city’s biggest penitentiary, where Marseille’s most notorious gangsters and French Connection collaborators did time. The prison is also infamous for France’s last execution by guillotine – shockingly recent, in 1977. For hikers and rock-climbers, on the other hand, Les Baumettes (whose name means “little grotto” in Occitan) is a gateway to the limestone fjords in the Calanques National Park. For Marseillais in the know, that entrance hides a unique place that is at once an eatery, escape and a voyage back in time.

CB has teamed up with the creators of “Native Dish: United Flavors of NYC,” NYC Media’s new food TV series, to offer a behind-the-scenes look at some of the New Yorkers featured in these short videos. The series, which aims to celebrate New York City immigrants from all over the world, focuses on one individual and one dish at a time as a means through which to explore the myriad cuisines represented in the city and the people who make them. While each episode features a general overview of the participant’s life story, particularly as it relates to food, we are expanding that narrative by providing the full interview transcript, albeit condensed and lightly edited. It’s their story, in their own words. To kick things off, we are spotlighting Esneider Arevalo, our Queens walks leader, and his family recipe for traditional golden arepas.

It was the summer of 2020, and walking into Fahri Konsolos felt like a mirage, like Brigadoon. There were whispers throughout Kadıköy about That Cocktail Bar, maybe the first “good one” in Istanbul. But with the pandemic restrictions on bars with certain licenses, it took a bit of luck to catch it while open. Closed, we would never have glanced twice at the tiny shopfront, it melted so completely into the surrounding bars. If you managed to arrive on a night that Fahri Konsolos was open, however, you were in for a very special treat.

New Orleans is the last communal city in America. Our seasons are Mardi Gras, festivals, football, second lines and crawfish, and we share them together. And it is no accident that our Carnival season and our festival season are bridged by crawfish season: the ultimate act of communal eating. From late January to early June, give or take, folding tables covered in newspaper are laden with bright red crustaceans, corn, potatoes and smoked sausage, staples of the boil. We stand around the table, peeling and pinching the tails to extract the spicy meat, sucking the heads to taste the boil liquor, drinking ice cold beer, listening to music and telling stories.

It’s not every day you see someone’s face peeking out of the belly of a bright blue skipjack bonito (katsuo). You certainly don’t expect them to wear fish-shaped headgear while wrapping dozens of sushi rolls all morning. But this was how Mai Nagamatsu, katsuobushi evangelist and proprietor of breakfast diner Katsuo Shokudo, greeted us on February 3: her head looking like a fish at sea. It was Setsubun, the first day of spring according to the old Japanese lunar calendar, itself based on the traditional Chinese calendar that divides a year into 24 solar terms. (These days, the lunar calendar is more a reminder of cultural practices and traditional markers of seasonal changes than a practical way to keep time.)

In the spring of 2017, the Bywater Bakery opened its doors and became something of an “instant institution.” Part casual restaurant and part impromptu community center, the cafe space hummed with perpetual activity. Deadline-racked freelancers posted up with their laptops, soon to be covered in butter-rich pastry flakes. Neighborhood regulars would crowd tables for a lingering lunch visit over salads or sandwiches. On many busy mornings, New Orleans jazz luminaries (the late-Henry Butler, Tom McDermott, John Boutte, Jon Cleary) might wander in to make use of the dining room’s upright piano, filing the space with impromptu performance and the occasional singalong.

Scan the back bar at the Erin Rose, and you’ll see a jumble of memorabilia that indicates a drinking hole that knows its lane. Layers of “historic” decor plaster the smoke-stained walls from rail to ceiling. A 1970s-vintage Evel Knievel poster hangs above a bobblehead figurine of legendary local clarinetist Pete Fountain. Behind a set of glass shelves holding the barkeep’s basics – thick-sided rocks glasses for double shots or the occasional Sazerac, a staggered lineup of beer bottles that act as a three-dimensional menu – every square inch of vertical surface is covered with in-joke bric-a-brac of various eras. A huge backlit sign from the 50s that reads “PRESCRIPTIONS.” A laser-printed WuTang logo. Hundreds of patches from law enforcement departments from across the globe.

Scan the back bar at the Erin Rose, and you’ll see a jumble of memorabilia that indicates a drinking hole that knows its lane. Layers of “historic” decor plaster the smoke-stained walls from rail to ceiling. A 1970s-vintage Evel Knievel poster hangs above a bobblehead figurine of legendary local clarinetist Pete Fountain. Behind a set of glass shelves holding the barkeep’s basics – thick-sided rocks glasses for double shots or the occasional Sazerac, a staggered lineup of beer bottles that act as a three-dimensional menu – every square inch of vertical surface is covered with in-joke bric-a-brac of various eras. A huge backlit sign from the 50s that reads “PRESCRIPTIONS.” A laser-printed WuTang logo. Hundreds of patches from law enforcement departments from across the globe.