Sometimes we crave salty, sometimes sweet. But there are those inexplicable moments when we want both at the same time. At these moments of mixed signals, we make our way to Ciro Pace Bakery on Via Nazionale for a rustico soffiato. This perfect mix of salty and sweet is made of short pastry and pâte à choux (cream puff dough), and stuffed with ham and cheese. Its lower half recalls the typical Neapolitan rustico (a savory cake), while the upper part resembles a huge hat (this is where the pâte à choux dough comes in) – the truly innovative feature of this pastry.

“My mother had many celebrity customers,” says Luis Enrique Mejía Rosales, the son of Merendero Biarritz’s founder, Esther Rosales. “When they were opening the storefront, the famous [Mexican] bull-fighter Luis Procuna came up to my mother and said, ‘Call it Biarritz!’ He had come back from a tour in Europe and had fallen in love with a woman in Biarritz.” So, in 1956, when the family opened a storefront on Doctor Velasco Street, they called it Merendero Biarritz. Merendero, because they sold “meriendas,” nighttime snacks. The restaurant’s founder, Esther, now 82, arrived in Mexico City from the near-by state of Morelos in 1950, when she was just 15 years old. She started working at a food stand that sold chicken soup and tacos dorados, fried tacos, along Cuauhtémoc Avenue in Doctores.

It’s not too often that you find a restaurant in Barcelona where rock & roll, blues and jazz are some of the main ingredients. But that’s just the case at Bar Ramón, an iconic restaurant and tapas bar in Sant Antoni. Mediterranean grilled red prawns, patatas bravas, and xipirones (baby squids) a la Andaluza (coated in batter and fried) are carried from the kitchen to the table under the watchful eyes of Charlie Parker and Muddy Waters, who look down from posters on the wall. Also on the wall, sharing space with the standard FC Barcelona crest and a photo of a castell (Catalan human tower) in front of the old Sant Antoni Market, is Bo Diddley’s guitar.

Before gentrification, Tbilisi’s ancient bath district of Abanotubani was a collage of dome-roofed sulfur baths and carpet shops, claustrophobic grocery stores and teahouses packed inside crooked multi-storied brick buildings with condemnable wooden balconies, a sneeze away from collapse. Yet this quarter is the nucleus of Tbilisi, the site of its founding and from where the multicultural city grew to become a key hub along the Silk Road. Today it is home to a tight, multiethnic community of mostly Azeris, who have lived here for generations. Directly above the baths is the 120-year-old Jumah Mosque, renowned for being a place of worship for both Shia and Sunni Muslims.

Everyone seems to feel at ease in Emice’nin Yeri. It’s the kind of place where workers come after their shifts, families and couples dine, single men drink their tea and watch football matches on the TV, and women too are comfortable eating alone. It’s not just a welcoming place – Emice’nin Yeri also happens to be one of the best Black Sea restaurants around. The emice part of the name comes from the Laz language and means “uncle,” or amca in Turkish, so can be translated to “Uncle’s Place,” a fitting moniker for the restaurant does have a certain avuncular charm.

It’s a paradise on earth for tourists, and a harsh place to live for many of its own people. Traveling between the various islands of Cape Verde, on slow boats and delayed inter-island flights, it’s clear that the complex historical identity of this Atlantic archipelago, mixed with its heavily diasporic culture and unique natural extremes, make it somewhat of an anomaly on the African continent. Its maddening magic – as well as, of course, its cuisine – lies in its long, mixed-up story. Cape Verde is generally associated with “Caribbean-style” holiday packages and tour group vacations. But its mainstream appeal, helped by the sandy white beaches, palm trees and the emerald waters of its eastern islands, obscures the country’s dependence on foreign aid and remittances from its emigrants, who actually outnumber the national population.

Truth be told, we’re often not impressed with traditional holiday gift guides. They’re either littered with undisclosed affiliate links or seemingly endless lists (much like our holiday to-dos) that make us want to turn off the computer and hibernate until the end of January. So, what makes our gift guide different? It’s a highly-selective (and relatively short) list of products that our correspondents and guides eat and use. Many of them are featured in stories that we’ve published, and we worked our hardest to connect you directly with producers – while we weren’t always successful, we did manage to avoid Amazon entirely (and no affiliate links in sight).

It’s the first time we’ve seen this small truck while on our Born on the Bosphorus walk in Kuzguncuk. It was selling apples and persimmons – the bounty of autumn – in front of one of our favorite grocers in the neighborhood.

The charming sign outside Schmidt’s Candy speaks eloquently, especially when we look closer. The words “home” and “made” frame a tall glass candy jar; we notice the slight irregularity of the brushstrokes, and we see that the candy jar is slightly lopsided, as are the colorful candies inside it. Obviously the sign was painted by hand, and lovingly so. We hear a refrain of that theme when we open the door to the candy shop, where, in the words of third-generation owner Margie Schmidt, everything is made with “these ten digits.” Like her father, Frank, and his father, Frank, who founded Schmidt’s in 1925, Ms. Schmidt disdains mechanical candy making: She dips her chocolates by hand.

Change may be inevitable but it’s the last thing we want in a restaurant we cherish. We were reminded of this a few months back when by chance we were taken out to dinner at Piperiá in the Neo Psychiko neighborhood by friends who live nearby. It had been five years since we last visited the place and we were very happy to find that little had changed in the interim. What a joy it was to find the same welcoming smiles and friendly young faces; excellent but not oversolicitous service; some items on the menu that we could never resist ordering; and some new tastes that rivaled the familiar treats.

The cuisine of Mexico City has long been influenced not only by waves of international immigrants but also by regional cooking from around the country. In the mid-20th century particularly, droves of workers and their families, lured by economic opportunities, arrived in the Distrito Federal from every corner of Mexico, bringing their local customs and food traditions with them and greatly enriching both the city’s culture and its culinary scene.

There’s a new phenomenon in Rio’s botequim scene. Until some years ago, running one of these small bars was something done exclusively by immigrants from Portugal, Spain and Brazil’s northeast. But ever since botequims became extremely popular among the carioca middle class, new players have gotten into the business: the customers themselves. Since the beginning of the 21st century, it has become more and more common to hear about botequim customers who decided to buy the bars they used to frequent. Initially, it might be to help the former owners and to keep the bar from closing due to financial problems. But then they might notice that running a botequim in Rio can be enjoyable – and also good business, if the job is well done.

Mexico City’s Mercado Jamaica, a jumble of produce vendors and flower sellers, is not a place you would expect to find a gourmet establishment in. But this is what makes this public market so appealing: Hidden away among the various vendors in this massive market are several outstanding food spots, ranging in size and scope from a nondescript green chorizo taquería to a fine-dining seafood spot. Mariscos El Paisa didn’t start out as a “gourmet” restaurant when it first opened back in 1958 – like many other market establishments, it was humble and unpretentious. But in recent years, the kitchen has upped its game, putting out elevated seafood dishes (although the restaurant still retains an unpretentious vibe).

Naples is a city strewn with street vendors. Bread, thin pizzas meant to be eaten folded, fried pizzas, octopus broth, roasted artichokes, cones full of fried goodies, donuts, panzerotti and rice balls – there’s little you can’t find one of Naples’ vendors selling. Together, these numerous street sellers and their small stands play an important economic and cultural role in the city. In the midst of all these vendors there’s one that somehow manages to stand out. Some know him simply as Carmine. Others call him Carmine the Wizard because of his enchanting roasted chestnuts, which warm the hands and the stomachs of Neapolitans in winter. Whatever you call him, he’s an icon of Naples street food.

Adega Pérola, a bar that sticks close to its Iberian roots, offers more than 50 types of tapas from both land and sea. One of the best is the fresh tuna marinated in olive oil and served with onions, best eaten with your hands.