Winding between the teenage fashion havens of Harajuku and Shinjuku is the ultra-hip Cat Street, lined with countless second-hand clothing stores and embellished with a single origin coffee shop. Just a stone’s throw to its south lies a nondescript concrete building. Unassuming from the outside, for the past 15 months its second floor hid a sake bar. The interior was a stylish and modern take on Japanese design – a sleek counter in the center, tatami mats and sliding doors splitting the space into three. Here, a young crowd gathered, sampling the latest sake and regional dishes – from Miyagi beef tongue meatballs and Iwate squid sashimi to Akita smoked pickled daikon topped with cream cheese. Given its relatively short residency, one might be forgiven for thinking the bar was a trend or a poorly conceived dream. But Mysh, (pronounced “my shu” meaning “my sake”) didn’t go out of business, nor were any of its members of staff full time. Their lease having expired, the founders decided to take some time out before finding a new home – time to review their goal of creating something more than a dining establishment, of creating a community space. Currently, the bar only exists as a monthly pop-up event, but its founding story and model are indicative of Tokyo’s broader culinary culture - one that is simultaneously steeped in tradition while constantly reinventing itself under the city’s bright neon lights.

It’s a common fantasy: Accidentally locked in a bakery, forgotten overnight, we quickly eat everything in sight and fall into a sugary, carb-filled dream of sweet-spun bliss. Sequestered away where nobody will find us until morning, we wake from time to time and continue to eat cakes until we sleep again. Short of that happening in this lifetime, we frequently daydream of walking the aisles of bakeries, latte in hand as we pull pain au chocolat and sticky buns from racks, consuming everything in a hurried rush before we’re asked to leave.

Before Roppongi Hills rose from the warren of rambling streets, aging wooden homes and traditional Japanese ways nestled amongst embassies and Korean barbeque joints, Azabu Juban was a sleepy section of Tokyo, moored more in custom than the flashy markets and designer boutiques to come. The main shoten gai, or shopping street, was a classic example of Japanese daily life. Small mom-and-pop stores catered to neighbors, and after the third or fourth visit anyone could be a regular. The vegetable man would disappear into the back of his stand and produce a perfectly ripe melon before you had to ask; the flower vendor waved at her customers even if they weren’t in the market for flowers; and the shoe repair man admonished everyone for not shining their shoes regularly enough.