What's better than a day at the beach? How about a day at the beach followed by fresh seafood and a cold beer in a vibrant neighborhood with views to boot? Bar do David sits on a busy corner in Rio's Chapéu Mangueira, a favela that overlooks the beaches of Leme and Copacabana. On a recent Sunday afternoon, the bar's two floors and outdoor area were packed with locals and tourists noshing on plates ranging from feijoada de mariscos, a white-bean and seafood take on the classic Brazilian bean stew, to the Estrela do David (Star of David), pineapple-mint pork rib tacos.

In Rio, only specialty beer bars usually have a touch of sophistication, and generally, the beer there is much more expensive (mainly because of the high tariff on imported hops), the regulars are more demanding and the food is made by a “chef.” This in contrast to the humble botequim, the traditional family-run bars that serve simple snacks. But Hocus Pocus DNA strikes a balance between the two: it’s a brand-new bar with a botequim soul that slings craft beers and thoughtfully conceived appetizers to go with them. It’s also the name of an acclaimed artisanal brewery – one of the best local breweries in town, in fact, operating in Rio since 2014 – whose products are sold only in specialty stores and bars.

Downtown Rio, full of historical monuments, colonial architecture and daytime bustle, grows emptier during the evenings. But for the last half century, one cobblestone street has given commuters a reason to stick around: sardines. Salty, crispy, scrumptious fried sardines. Sitting at the foot of the Matriz de Santa Rita church, Beco das Sardinhas (Sardine Alley) is a cluster of five bars that pour into Rua Miguel Couto, a pedestrian-only street dedicated to the little fish, and is both a favorite after-work destination and jumping-off point to downtown Rio’s nightlife. On a recent Friday evening, customers – some in suits, some in shorts and flip-flops and others dressed for a night out on the town – sat at the plastic tables that fill the alley.

Rio’s bar culture is crazy for chicken. It’s common to see at bars dozens of the cooked birds laying within heated glass cases, awaiting hungry customers. The more popular the botequim, the more parts of the chicken are available. In the fancy bars of Ipanema and Leblon you can only find voluptuous breasts and legs, accompanied by salads and risottos. But in more humble botequins in the North Zone or further out in the suburbs, you’ll find gizzards, feet, beaks, and even rear ends. Yes, cu de galinha is a rare delicacy in Rio... Not only is every part of the chicken appreciated, but also all ages of the bird.

Even the pigeons of Copacabana know that Galeto Sat's – the old, ugly botequim located on the first block of Barata Ribeiro Street – has become one of Rio’s most important bohemian institutions since it was acquired by the Rabello family 10 years ago. The new owners changed the spirit of the bar, making it a hit – especially for those who love to eat and drink well, all night long. Even Anthony Bourdain turned the spotlight on this place for his TV show, “No Reservations.” The one problem that remained, however, was its size. Because the bar is very small – just 30 seats – it’s always crowded.

Athletes, spectators and everyone else gathered in Rio for the Summer Olympics will have no shortage of good eating options – and not just in the usual touristed areas. We’ve rounded up some of our favorite spots around town. CADEG The 100,000-square-meter market is divided into three warehouse-style floors, with a pavilion just for flower sales at the rear of the second floor. (The building sits on an incline, so you can enter from the street either on the ground floor or from behind the second.) The market is open 24 hours. Early mornings on Thursday and Saturday are the top time for flower shopping. Saturday afternoon is Cantinho das Consertinas’s Festa Portuguesa, with up to 1,000 attendees queuing for a host of salt cod dishes on the second floor.

Quintal Gourmet is the story of a doting son, one who's also delighted to be able to spend more time in his home, the City of God. Yes, the one from the movie. Carlos Vinícius, 29, a man as towering as he is smiley, looks at his mother, wiry and fast-talking Joyce, with a doe-eyed affection that seems to be deeply mutual. "I always followed my mom," he says. Before Quintal Gourmet, the two worked as domestic help, with Carlos Vinicíus a caretaker for an elderly woman. When his 72-year-old patroa passed away, he longed to spend more time with his own community rather than leave the favela each day for work.

Glória is a crossroads of Rio de Janeiro. It’s where the beach and bayside South Zone end before you hit the historical and commercial Centro. It’s home to the storied, luxurious Hotel Glória and the working-class favela Santo Amaro, a five-minute jog away through lines of rifle-armed soldiers meant to keep crack users at bay. There’s the state archdiocese by day, and by night, a red-light zone for legally operating transvestite prostitutes. It comes as no surprise then that Glória’s weekly feira is one of the city’s most authentic and most colorful street markets. Like the vendors on foot on Rio’s beaches, would-be restauranteurs experiment at the feira before spreading their wings on the wider urban gastronomical scene.

Carioca summer culture is dictated by the heat. It’s courteous to ask guests if they’d like to take a quick shower upon arriving at your home (because everyone takes multiple showers a day in the summer). Beer at parties must be estupidamente gelado. Movie theaters sell out even for so-so films because the air conditioning inside is delícia. This year, the Rio city government took the bold step of legalizing the use of knee-length shorts for city employees and bus drivers during the summer. Four other critical ways that locals chill out are: sorvete (traditional ice cream), picolé (popsicles), gelato and sacolé (anything frozen in a plastic sack).

Delicious Amazonian food is just one element of our truly adventurous walk in the artsy, hillside Rio de Janeiro neighborhood of Santa Teresa.

As an electrician in the Galeão international airport, Emerson Gama responded to emergencies like exploding transformers. But in his spare time, he was becoming a self-made expert on Latin American mythology, tropical ecology and sustainable resource management. These passions led him to quit his job four years ago; since then, Gama has become the Rio de Janeiro chocolatier with the most dedicated cult following. Only a few South Zone specialty stores carry his Quetzal chocolates, and where they come from is largely unknown, both to the clients on the long waiting lists for deliveries and to Gama’s own neighbors. The “secret” source?

When they come into this shoebox of a pizzeria that still looks like the pé sujo (“dirty foot”) bar it previously was, clients often ask: But where’s Chico? That’s because they’re expecting Santa Teresa’s most beloved pizza chef to be a rotund and cherry-cheeked grandfatherly figure, perhaps in a red or green apron to make the point hit home. The toothy-grinning and somewhat lanky real Chico is instead someone who likes wearing running shoes to work so he can sprint out of his kitchen to greet the passersby on this cobblestone street for which he feels such affection he turned down a proposal to move to California. (More on that later. It involves Sylvester Stallone.)

At Bar do Momo in Tijuca, there are many things to celebrate, but the two dishes starring jiló are particularly magnificent – and show how this little gastropub punches well above its weight. A green, meaty, slightly bitter cross between an eggplant and a pepper, jiló was brought to Brazil from West Africa during the slave trade. At Bar do Momo, the vegetable is served two ways: One is the jiló recheado, not unlike a chile relleno, stuffed with beef and mozzarella cheese that melts into a savory broth. The other is the only Brazilian guacamole worth your time: made from tangy pickled jiló, red onion, tomato, lime, cilantro, and Brazilian dedo de moça pepper.

Before thousands of Syrian and Lebanese immigrants arrived in Rio at the beginning of the 20th century, colonists organized the old city according to geography, chance and Spanish and Portuguese planning conventions. This meant stores in the same category – ironware, shoes, musical instruments – were grouped together, sometimes even allotted their own street. If you needed wholesale fabric, you headed to a different road than if you needed a new kitchen pot. When hard fortunes amidst the breakup of the Ottoman Empire brought residents of the regions surrounding Syria and Lebanon to Rio, many put down roots in an area then called “Little Turkey” on Alfândega Street, near the port

Carmen and Eduardo’s story could be an allegory for the rise and uh-oh moment of Brazil’s new middle class – except their tale is a real one, one that ends with a really nice savory fried pastel that’s become a midnight munchie hit with their neighbors in Rio’s iconic City of God (Cidade de Deus) favela. The pair’s life together started early; they met when Carmen, now 30, was just 12 years old; moved in together when she was 14; and both converted to evangelical Christianity and married in a church when she was 18. They came to the City of God, well-known from the book and film of the same name, looking for a more economical housing option.