In France, the poissoneries (fish markets) are often decorated in a palette of blue to evoke the sea while boucheries and charcuteries are blood red. Rouge, the color of meat, pops up on tile walls, around deli counters and on awnings above shop windows so that customers can spot their meat purveyors from afar. That was the case at Maison Payany, an artisan charcutier in Marseille’s 6th arrondissement, until its new owner gave it a fresh coat of pink. Marie Caffarel took over Maison Payany in the spring of 2019. Despite the unorthodox paint job, in many ways she has upheld the traditions of this neighborhood institution, which prior to her arrival had been run by three generations of Payany men since 1932.

Encompassing the entirety of the old city and all of its historic glory, Istanbul’s Fatih district is home to a large population of Syrians, who settled in certain neighborhoods following the outbreak of civil war in that country. Yusufpaşa is one such place, and so is the area around Akşemsettin Street, which is lined with a variety of shops and restaurants run by Syrians. Aksaray is another, with the working-class neighborhood now full of signs advertising “Syrian shwarma” and “Aleppo cuisine,” spelled out in Turkish and also in the curly, coiled letters of Arabic. Restaurants serving displaced Syrians familiar dishes like fatteh and muhammara now dominate the main boulevard.

The thrill of hanging out in Oaxaca’s historic city center is something that has always made me happy since I was young. Almost every afternoon, I would walk, together with my best friend, to the colonial-style streets of downtown. From buying comics to returning a book to the library, there was always some reason to go to El Centro. Before heading back home, one of our rituals was to stop at the long-gone La Esmeralda, our favorite downtown convenience store. We would sidle up to the vintage wooden counter and order a cold soda, a spicy tamarind candy or a torta, a savory sandwich that, along with tacos and tamales, forms the backbone of Vitamin T, as this holy trinity of Mexican grab-and-go foods are often referred to.

On the forested Mt. Oyama, only one and a half hours away from Tokyo, the sleepy atmosphere is broken by a cheering crowd. It’s mid-March and women are sitting in a row on a stage, shoveling cups of tofu into their mouths as fast as they can. It is messy, distinctly inelegant and a whole lot of mad fun. These women are challengers in the Wanko Tofu speed eating competition, which also sees men and children compete in respective rounds. All this, along with a gigantic four-meter pot of boiling tofu and several other street food snacks, is part of the annual Oyama Tofu Festival, which celebrates the area’s long history of producing especially delicious tofu and marks its 30th anniversary this year.

We spoke to travel writer and cook Yasmin Khan about her latest cookbook, Ripe Figs: Recipes and Stories from Turkey, Greece, and Cyprus (W. W. Norton & Company, May 4, 2021). Author of two cookbooks, The Saffron Tales and Zaitoun, Yasmin turns her focus to the Eastern Mediterranean in Ripe Figs. Using the kitchen table as a lens through which to explore the issues of borders and identity in an interconnected world, she traces various migration stories in her travelogues and recipes. We chatted about the inspiration behind the book, her research process and the importance of documenting both the good and the bad in travel writing.

Bars, cafés, taverns and restaurants have historically functioned as meeting spots for all kinds of urban communities, from intellectuals to politicians and artists – revolutions have even been planned around the table. Nowadays in Barcelona, another community, one that has flourished in numerous cities around the world, has started gathering in these types of venues: cyclists. The number of cyclists in Barcelona has increased some 30 percent in recent years, according to the City Council – in 2017 alone, 38 percent of residents moved around the city on two wheels. With more than 230 km of cycling lanes and a fleet of 7,000 brand new municipal bikes, the city is still adjusting to coexisting with so many bikes and riders.

In Marseille, dining out in the Covid era has often meant eating in. Pizza, kebabs and other fast food have triumphed over cooked dishes, since they can more easily withstand travel in cardboard containers. While many restaurants have either pivoted to portable sandwiches or tried to implement new packing methods (like soupe à l’oignon in a vacuum-sealed bag), La Cuisine de Gagny has embraced glass jars – a return to its roots. At this tiny restaurant and caterer, the plats du jour are dished into glass containers – the kind of jars (bocaux) filled with rillettes and jams in a French country kitchen. Sealed with glass lids and a thick orange-rubber band, the old-school jars don’t make the food taste like plastic.

Greek Easter – this year celebrated on Sunday, May 2 – involves a great deal of baking, from breads to cookies and sweet treats. Many of these traditional recipes are rich with symbolic meaning, usually referencing the regeneration of the earth, the blooming of spring, as well as the honoring of the dead. Some of the themes are clearly rooted in ancient Greek traditions and practices that Christianity later adopted and incorporated into their own celebrations. The egg is the star of most typical Easter recipes. An important ancient symbol of fertility, life and rebirth, eggs are also dyed for the holiday and used in various ways as decoration.

The holy month of Ramadan has arrived, and along with it Istanbul has been blessed with beautiful spring weather. Normally, people throughout the city would be gathering in groups large and small in the evening to enjoy their fast-breaking iftar, but these days are anything but normal. Surging Covid-19 figures, which recently eclipsed 60,000 a day in Turkey, have resulted in tightened measures geared toward curbing the pandemic (in fact, it was announced yesterday that the country will be under a total lockdown from April 29 until May 17). These have included the closure of restaurants and cafés for dining service and stricter curfews, which begin at 7 p.m. during the week.

Last Monday was an emotional day for João Gomes, his wife, Adelaide, his son Nuno and Nuno’s wife, Ludmila. Imperial de Campo de Ourique, the family’s tasca, reopened for business after being shut for almost three months due to anti-Covid measures in Portugal. Hungry Lisboetas can once again enjoy the traditional and hearty dishes cooked by Adelaide, the heart of Imperial’s kitchen, and the joy of a warm welcome by João, the tasca’s enthusiastic frontman. “The biggest pleasure is to be able to talk to my clients again, I really missed this,” he tells us, a mask covering his wide-open smile.

Vegetable main dishes abound in Greek cuisine. Those cooked in olive oil on the stovetop fall under the broader category of ladera (ladi means “olive oil”). They feature seasonal vegetables – usually one main vegetable is the star of each dish, with others adding flavor and color. In the lead-up to Easter – when there is a traditional fasting period of 40 days and lots of new vegetables come into season – ladera dishes enter the spotlight. One of my favorites is fasolakia (the diminutive of fasoli, or “bean”), which features fresh green beans cooked in tomato sauce with a few potatoes, carrots and often zucchini. It’s a dish that’s prepared all over Greece as well as in other Mediterranean countries like Turkey, with small variations.

We used to live across the street from Dinamo Stadium, on the edge of the Deserter’s Bazaar and part of the Vagzalis Bazroba – Station Bazaar – complex, a sprawling, unhinged confederacy of free-marketers selling everything from counterfeit apparel to contraband from Russia, secondhand cell phones and coffee beans labeled Nescafé. Zaza, a musician and our roommate at the time, served as our guide. His song “Vashlis Gamyidvelo,” about an apple seller who sold him a beautiful but rotten apple, was a big hit on the radio and made him quite the local celebrity. Shopping with Zaza at the bazaar meant lots of discounts and free drinks at the many wine stands back then.

Every year, for one month only, bakeries across Istanbul churn out round, flat, yeasty loaves of Ramazan pidesi, a Turkish flatbread. Before Muslims break their fast at sundown, they hurry to buy these addictively chewy pides, which are essential to the iftar meal here. Some bakeries rely on machines to shape the pide and stamp the traditional checkerboard pattern on top; others do it the old-fashioned way, by hand in wood-fired ovens. Tophane Tarihi Taş Fırın is a third-generation, family-run bakery that is known for its simit, the sesame-crusted bagel sold on every corner in Istanbul. They also make excellent Ramazan pide in their 130-year-old wood oven. Two easygoing Eryılmaz brothers run the shop, while additional family members head up many other bakeries in the area.

Non-descript is the best way to describe Xiaoping Fandian’s storefront. Its plain-Jane décor would never make you stop and take notice – the first floor looks more like a hotel check-in than a restaurant – but walk by around any meal time, and the scrum of waiting diners speaking in rapid-fire Shanghainese will turn your head. Where there are this many speakers of the local dialect, there’s bound to be delicious local food. Upstairs, you’ll discover that Xiaoping Fandian is a multi-level home with former bedrooms and an attic space that have been converted into private dining rooms with lazy Susans. A few smaller tables are scattered in the hallway and living room for good measure.

At 10 a.m., Juan Trenado, head of cheese production at Finca Subaida, and his team had already been toiling for several hours. They moved efficiently through each step of the artisanal process, expertly crafting block after block of the famous Queso de Mahón on the Mediterranean island of Menorca. “By law” – Mahón has a protected designation of origin (D.O.P.) – “the cheese could include a little sheep’s milk, but ours doesn’t,” Trenado told us, as he directed a gushing stream of watery cheese curds from a wide hose into a big, waist-high stainless steel vat. Slowly, the vat filled nearly to the brim, and Trenado, along with Mònica Mercadal, Head of Cheese Maturation, and Ramon Alonso, a new hire, carefully stirred the curds, breaking them into small chickpea-sized pieces.